Gucci WF2012 – Velvet Magazine | Fashion photography

Fashion Editorial

Gucci WF2012 – Velvet Magazine | Fashion photography

The mysterious protagonist – played by Milica Radmilovic – is strong but not hard, beautiful yet not quite delicate. Whether in the collection’s rich green velvet gown or its billowy black blouses and riding boots, the one thing AbuSamra’s images never fail to do is captivate with their dark and luxurious allure. Tania Braukämper, Fashionising.com

Gucci WF2012 – Velvet Magazine | Fashion photography

MAC Cosmetics | Reel sexy makeup collection | Beauty photography

Beauty Editorial

MAC Cosmetics | Reel sexy makeup collection | Beauty photography

Inspired by M.A.C Cosmetics‘ Reel Sexy collection: Heroine, Pink Popcorn, Reel Sexy and Watch Me Simmer, comes a beauty editorial photographed by a beauty photographer in Dubai, Atif AbuSamra. A cinematic drama in shades of bright violet plum, lavender, light bright coral and bright pink oranges, unravels in front of our eyes – or rather, in front of our Heroines’ eyes, in this instance played by Albe and Masha.

MAC Cosmetics | Reel sexy makeup collection | Beauty photography

Seize the Night | The Style Chamber

Fashion Editorial

Seize the Night | The Style Chamber

The Autumn / Winter 2013 futuristic collections by fashion forward names such as Demoo Parkchoonmoo, Kei Kagami, Y Project take set in the mystifying night shadows, leaving you wondering and wanting to see further.
Modern and brave, yet comfortable and versatile, soft materials against sharp and unexpected cuts, paired with statement pieces of jewellery and unique accessories.
Wonderful and unparalleled.
Step into the ravishing dark side.
Photographed by Atif AbuSamra. Styled by Lester Lagda @ The Style Chamber.

Seize the Night | The Style Chamber

In light and shadow

In light and shadow

In this documentary art photography collection, the details are separated from their whole and ripped apart from their intended character and their original personality. Not knowing how to string the pieces back into their original shape, the viewers are subconsciously pushed toward inventing a story of their own and a different, unintended kind of emotion, and feelings informed by shapes derived from patterns of shadow and light are extracted.

In light and shadow

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